You see the world of tech constantly changing, companies all competing to be the first to release the newest technology like they’re trying to see who can land on the moon first. The show moves quickly, much like the industry it’s covering, and since the story extends from the ’80s into the ’90s, the writers and creators captured how the “Silicon Prairie” of Texas factored into the advancement of the personal computers we use every day. Still, as you dive into the world of circuit boards and dial-up internet, it’s actually quite exciting. ![]() A drama revolving around the evolution of computer programming might not sound as sexy on paper as a womanizing ad executive being a cool jerk all the time. Taking its title from programming code that, when executed, would crash a computer’s CPU, ultimately causing it to overheat, Halt and Catch Fire focuses on the personal computer boom of the mid-1980s up to the early days of the internet in the early ’90s. Mad Men will be considered AMC’s legacy during that golden age of cable television programming, but another show deserves to be put on a pedestal above Mad Men. Maybe you’ve heard of it, as it’s often considered one of the best TV dramas in television history alongside other AMC productions such as Breaking Bad, Better Call Saul and The Walking Dead. Rogers said, “Turn that off first.Fifteen years ago, AMC premiered a little show called Mad Men, a drama set in 1960s New York about a somewhat mysterious ad executive, Don Draper, played brilliantly by the handsome and charming Jon Hamm. Bishé pointed to a reporter’s tape recorder. “Last night,” Rogers said, “Kerry gave another version of that comment about the bravado, and was like, ‘I really like the confidence of men in this industry,’ and you could just see the eyes lighting up around the room, like, ‘You’re getting my business card.'”ĭavis began to elaborate on the curious gender dynamics at the party. They said that, during the Q&A session after the screening, there had been some strange reactions to their answers. Bishé and Davis swapped statistics with each other. The gang started to talk about the gender ratio at the Battery screening - and about how many more women there were in the early days of computers as depicted by the show. They were like, ‘Yeah we have 14 cafeterias.'” But I did get like six contacts last night to go to the Google cafeteria in New York. So they’re not going to tour Facebook HQ? Next on their agenda was a visit to Alcatraz, just for fun. “A lot of them found that show kind of insulting.” “They seemed weirdly victimized by ‘Silicon Valley,’ which I just assumed was kind of a tongue-in-cheek thing, right?” Rogers said. Mackenzie Davis, who plays punky genius engineer Cameron Howe, added: “It’s a bit of a god complex.”Īt the Battery the night before, the cast had noticed that the show’s audience was younger than they had expected - and that many were relieved to have another high-production-value tech show alongside the satirical “Silicon Valley.” They’re not tools for good - they’re tools.” “And the tools are incredible, but they are amoral. We’re speeding up evolution,'” Bishé said. They’re like, ‘We are giving powerful tools that are making the world a better place. “ this really powerful sense of self-assurance and confidence. Kerry Bishé, who starred in the last season of “Scrubs” and now plays an engineer’s savvy wife, leaned in. “Steve Jobs could have been remembered as just an asshole,” he added, joking. “ we had all these great consultants who were at Apple, at IBM, during the apex of this technology, and they’ll tell you, it could have been anyone.” “People build their problems into the machines, and we only remember the success stories,” said co-creator Chris Rogers. The characters wear suits and ties (a la “Mad Men”), but roll up their sleeves to solder in suburban garages. A darker and more sexed-up production than HBO’s ironic comedy “ Silicon Valley,” “Catch Fire” explores the tenuous line that entrepreneurs can walk between brilliance and deranged self-aggrandizement. Set in Texas in 1983, the show, which debuts June 1, follows a group of engineers and salespeople in the days when companies like Compaq, Commodore, Tandy and even ExxonMobil were racing to build personal computers. The morning after Path founder Dave Morin hosted a screening party for them at the Battery, a private social club, two actors and a writer from AMC’s new tech-themed drama, “ Halt and Catch Fire,” sat down for pretzel crisps and a chat in San Francisco’s Financial District yesterday.
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